Thomas Höpker Analysis
Maybe Höpker didn’t want to shun America,
Visually shaming our ‘youth’ for not caring, there are many aspects of this
image to take in, one aspect is the foreground, which gives us the feel of that
relaxing Sunday afternoon by the sea, another being the ‘careless’ stance of
the lady laying down. The image is visually deceiving, I’m sure if they had
been closer to the event, the bike would not be propped against a wall, it
would have been thrown to the ground, and the person laying back, giving the
viewer a “I don’t care” stance would have been displaying signs of panic and
stress.
Höpker foolishly decided to leave the image without a quote
to caption how they were feeling about the event, so there was no way of us
knowing the thoughts in their heads. He decided to leave it open for the viewer
to distinguish, which given the bright colours and nature of the group, was a bad
idea.
One of the subjects,
who, sarcastically referred to themselves as
”disaffected sunbathing youth” was angry at
the nature of the photograph due to its false ‘claims’ to her feelings.
Another of the people Walter Sipster (far right) said
that he and his girlfriend who were sunbathing were actually ‘"in a
profound state of shock and disbelief".
The juxtaposition
of the bright sunny morning and the deep shadows, suggests that the sun was
almost at its best, while in the background is dulled which makes the picture
seem ‘faked’ the juxtaposition between the foreground and the background gives
the effect of two pictures edited together.
We associate the
groups ‘summery’ clothes with a beautiful sunny autumn morning, this almost
multiplies the shocking imagery in the background by showing how much of a surprise
911 was, it almost seems completely unexpected and it was.
If you compare this
image to other images of 911 there is a huge difference. Usually they would
contain ‘disaster’ pictures, focusing on the death and destruction of the
event, this picture however makes you almost overlook the background making the
disaster become unnoticeable.
All the colour of
the image is in the front of the picture, which draws the eye away from the
terror in the background. The group almost give a happy vibe, contrasting
against all the death and destruction unfolding in front of them.
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